KATRINA STUART SANTIAGO
KATRINA STUART SANTIAGO

Thanks to the new President, there is no talking about anything at all these days without talking about the class crisis, which in the case of culture is far more complex than just popular versus high art, mainstream versus independent. The more stable opposition really is this one: cultural products with huge budgets, marketed and distributed by cultural empires and oligarchs; and cultural work that is without media mileage or public support, but which exists as artistic productions on a smaller scale, in the margins. Then of course there are the workers on whose backs big budget productions earn, who are without the financial or social security —really no different from freelance cultural workers.

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