Danilo Dalena’s ‘Komedya sa Pakil,’ oil on canvas, 1990, CCP Collection
Danilo Dalena’s ‘Komedya sa Pakil,’ oil on canvas, 1990, CCP Collection

While loosely taking on the structure of cinema with establishing sequences, transitions, freeze frames, and denouements, Last Full Show is posited as a grand unfolding rather than definitive account. Dalena himself insists that the wordplay be taken in the spirit of the elaborately risqué closing numbers of his famed “Alibangbang” (bar) series and the final all-star game of the now moribund Jai Alai where the performance goes full throttle and the one-upmanship is cutthroat and in your face.

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