Rosalinda L. Orosa
Rosalinda L. Orosa

AFTER I heard violin prodigy Joaquin “Chino” Ma. Gutierrez in a full recital that opened with Bach’s unaccompanied Prelude and ended with Ravel’s Tzigane, I told Ching Montinola, Chino’s avid supporter, “The youngster is a Paganini-in-the-making.” The recital was at the residence of German Ambassador Thomas Ossowski, and Ching, in reply to my remark, said, “By coincidence, the Ambassador thinks likewise.”

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