Survival means more than day-to-day subsistence.
What matters more than our own lives is the hope we nurture for our
children. Amid poverty and chaos we dare dream brighter days for
them. There is lyricism in this struggle, a story worth telling on
stage.
Dulaang UP reveals the beauty of nurturing
fragile dreams in these vicious days with Anton Juan’s Hinabing
Pakpak Ng Ating Mga Anak that premiered at Wilfrido Ma. Guerrero
Theater at the University of the Philippines Diliman on July 16.
The Agimat Project provides an online artists portal
The Philippines has a great surplus of artistry. For decades, we
have been exporting it—through stage actors, ballet dancers,
musicians, designers and painters who now perform and exhibit across
the globe.
The distinct silence surrounding the gallery at
the third floor calmly asks you to pause and observe the pieces. The
call to walk inside the shop to look is gentle and serene. The
whiteness of the walls..
Voices are soaring, passions are
burning and people are dying—on stage that is. It’s time once
again for Mozart, Puccini and Callas. But this time, we’ve got
21st century bohemians and a men’s magazine cover girl as well as
animation, black theater, and puppetry..
If there is one single human weakness that causes a tremendous
amount of unhappiness, it is envy. Envy, according to Webster, is
the “selfish and unfriendly grudging of what another enjoys; in a
mild sense, the longing for a good possessed by another
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