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Monday, March 24, 2008

 

CULTURE VULTURE
By Rome Jorge
Foreign news

 
I confess: I only dare browse the news only after being dulled and harried by all the mad chores of urban living and livelihood—enduring the morning traffic, falling in line to pay the bills and, despite my best efforts, being an accessory to the crime of pollution and consumerist consumption. Only after these things have filled the hours that lead to noon can I dare confront local news.

It’s not the paper’s fault; the news is the news. Stories about corruption, greed, ineptitude and brutality—of a magnitude, complexity and pattern that makes one feel both outraged and impotent—hurt me. This is my country. I take it personally.

The only thing that eases the pain of reading the news is doing my own little bit about it, be it my choice of who to vote, when to protest and what products to patronize or boycott. That, and enjoying the foreign news.

News abroad, even those of disasters, famine and strife, can be morbid entertainment. It’s remote enough to put aside. And knowing that things are bad elsewhere makes the situation here seem less pathetic. Nonetheless, you can’t help but reflect upon the Philippine culture when viewing other countries.

Take for example Iran. For the past few years, America has been conditioning the rest of the world to see them as the enemy with movies, comic books, press statements from the Bush administration and other works of fiction.

A superpower that continues to maintain its nuclear arsenal and that turns a blind eye to the fissile weapons development of its allies, the US wants us ostracize a country for acquiring the same technology.

The movies are no less fantastic than the news. In Oliver Stone’s “Alexander,” Persians are cast as cowardly and despotic. But it was the Greeks, the Macedonians and other Hellenistic people from whom Western culture owes its roots that practiced widespread slavery and refused equal rights to women.

To be fair, in Frank Miller’s “300,” the monstrous exaggerations with which the comic book/movie portrays the Persians were never meant to be taken as accurate or literal; they are a projection of the Greek’s own superstitious fears, as Greeks saw themselves as the vanguard of reason and logic. The movie is told from their point of view. The comic book/movie uses the epic battle with the Persians at Thermopylae as a metaphor for this struggle against superstition. And somebody had to symbolize superstition.

Somebody has to play the bad guy in Hollywood films and Washington politics. It used to be the Germans and the Japanese. Then it was the Russians. Now, it’s the Persians and the Arabs.

In a roundtable discussion with The Times, Iranian Ambassador Ali Mojtaba Rouzbehani remarked, “It was good for us, because it made us more aware of our pre-Islamic history.”

We should ask: How has Western media and politics portrayed Filipinos and other Asians? Should Filipino artists accede to play such roles and should Filipino audiences patronize such fare?

And take Palestine. The Palestinians suffer a tragic history. They allow themselves to be misled by murderous and corrupt leaders. Some of them continue to engage in self-destructive, self-defeating and inexcusable means of struggle. They are much like us Filipinos. And just like Filipinos, nobody understands them. In my travel to Palestine, nearly every perception fostered by Western media was proven wrong.

And just as it was for the Philippine’s First Republic in 1899, nations today refuse to acknowledge a self-evident and undeniable fact—that Palestine is a nation.

Whatever faults a people may have, no other country has a right to judge their worthiness for nationhood. Some of the most powerful, respected, prosperous and peaceable nations today have in their history committed racial segregation (United States), slavery (UK), systematic rape (Japan), government-sponsored abductions (Australia) and genocide (Germany). But for all these atrocities, these countries never had their nationhood denied or their territories indefinitely occupied.

Liberty is as inevitable as it is indispensable. People cannot help but struggle for it. No price is too dear for them and no means too extreme. On the other hand, armed occupation and suppression are a costly artifice to maintain. The question to ask is not if but at what cost does a nation attain independence. As with people, so too with nations: will an abusive parentage and a war-torn childhood lead to a dysfunctional, dangerous or chronically needy country? Just look at what kind of country the Philippines has grown up to be.

And finally, take the US. The most entertaining of news overseas are those of the American presidential elections. Many bourgeois Filipinos watch the blow-by-blow account of the electoral process as they would a basketball game, with some impassionedly taking sides. It’s Barangay Hillary versus Barangay Obama versus Barangay McCain.

It’s all good entertainment. But to believe that the welfare of the Philippines depends on an American is colonial mentality. An electoral contest that we have no say in does little to determine our future. We should progress despite circumstances beyond our control. Any foreign leader, as a patriot, will always further the interests of that country, not our own.

If only our own President put our countrymen’s interests first for a change, then we would be more than entertained by the local news. But it looks like she, those opposed to her, the entire lot of traditional politicians, the religious mafia and the ideologically bankrupt leftists are but patriotic citizens of their own fiefdoms.

   

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Severino O. Frayna Jr., Benjie Dela Rosa
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