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By Undersecretary Vilma L. Labrador, Chairman,
National Commission for Culture and the Arts
Delivered at the opening of the Third
Asia-Europe Meeting Culture Ministers Meeting, Kuala Lumpur,
Malaysia, April 20 to 24, 2008
The Philippines supports the ASEM vision for
promoting dialogue among civilizations and stepping up cultural
exchanges and cooperation between Asia and Europe. In ASEM’s
long-term plan to respect cultural diversity, we must utilize every
opportunity for its expression to respond to the challenges for its
preservation and sensitive evolution. To this end, the Philippines
under President Gloria Arroyo fully supported the staging of the
31st Unesco-International Theater Institute Congress and Theater
Olympics of the Nations Reflecting Ancestral Roots to New Artistic
Routes of Expression on the United Nations Millennium Development
Goals.
It was an occasion for Unesco Director General
Koitchiro Matsuura who presided over the Leader’s Forum to launch
a global movement to mobilize cultural diversity as an important
vehicle to communicate, inform and motivate nations to collectively
work for our commitment to cut poverty in half by 2015 by addressing
the needs of gender equity, the prevention of child mortality,
providing education and health for all, promoting indigenous peoples
heritage as a security net amidst globalization and confronting the
dangers of global warming.
The International Theatre Institute (ITI)
Philippines Center designated Asia Pacific Bureau of the Unesco-ITI
Chair has demonstrated the possibilities of undertaking Theatre for
All through its cultural care-giving poverty alleviation program of
democratizing the right to culture. It is a creative strategy for
reaching out to the grassroots and the least developed
municipalities with free arts training for capacity and confidence
building of marginalized groups, such as the handicapped, the rural
and urban poor, the street kids, the delinquent youth, indigenous
groups and trauma victims of abuse and armed conflict.
In furtherance of this goal, with the
cooperation of the Philippine ITI/Earthsavers Dreams Academy (Unesco
Artists for Peace), SMTV and the Asean-COCI Secretariat, the
National Commission for Culture and the Arts organized the
Interdisciplinary Performance and Media Arts Workshops among the 10
Asean countries with creative teams that interacted and
collaboratively produced performance and joint presentations of
short films, radio, TV modules comics version and a Theater Festival
hosted by St. Paul University on the Millennium Development Goals
last August 2007 for the 40th anniversary of the Asean.
The Philippines hosted the Second Asean
Ministerial and Experts meeting on Media Content Industry (with
Japan as dialogue partner) which forged a Manila Action Plan on the
subject which we trust will be fleshed out significantly here in
Malaysia as it is scheduled to host the Third Meeting this year.
The initial support of Asia-Europe Foundation to
the CineManila International Film Festival, now on its 10th year,
has been a vehicle for cultural exchange through films. This year,
the festival will be an Asia-based extension of the Director’s
Fort Night of Cannes. Belgium and Netherlands, a close partner in
holding a special workshop within CineManila in Boracay for
independent filmmakers with a cash prize to help the winner continue
with a film project.
The NCCA has established within CineManila an
ASEAN prize for documentary on heritage and feature films on the
MDGs. This we hope will provide a continuing arena for the creation,
dissemination and cross-fertilization of methodologies through
broadcast, webcast and cinema. In the field of performance, our
chorale, dance and theatre groups have participated in many
festivals and competitions in Europe and Asia, getting international
focus with their experience.
We would like to offer now to ASEM the
Philippine Festival of the Arts held every February in Manila as an
avenue for participation of Asia and Europe in performances, joint
training and exhibitions. Just last month in the observance of the
Unesco-ITI World Theatre Week preceded by the celebration of World
Water Day, we have significantly harvested good practices of using
the arts for social transformation, employment enhancement and
values education.
The Philippine Summit on Cultural Caregiving on
the MDG’s has produced an Action Agenda that will draw interagency
participation as well as involvement of the community of artists in
a decentralized approach to reach the vulnerable groups, including
our overseas workers and their families with a relevant cultural
experience to serve as a mirror to forge not only our national
identity, but also our regional solidarity and cultural
understanding among European countries. We submit the report of the
Summit Resolutions to the Ministers as a status report of Philippine
initiatives since the Second ASEM Meeting in Paris.
In promoting the creative industries,
particularly of our indigenous communities, we are helping forge
cooperatives among 110 indigenous groups linking schools for living
traditions to regional arts schools in the Department of Education
and utilizing state universities and colleges as a cultural bank to
identify and preserve essential indigenous heritage for
incorporation in a curriculum module to help in the mainstreaming
and appreciation of the wealth of traditional arts and indigenous
wisdom in living in harmony with Mother Earth.
We feel that meaningful exchange in the field
particularly of documentation, restoration, dissemination, museum
and archival methodology can re-enforce our common efforts for the
protection of intangible and tangible cultural heritage with
guarantees for intellectual property rights. We have finalized with
the government of Spain, an Escuela Taller, a school for
out-of-school youth, a vocational training program for heritage
sites, restoration and conservation techniques, using Intramuros,
our walled city, as the venue for learning.
For the Fifth Centennial of Fray Andres Urdaneta
born 500 years ago in Ordizia whose return route discovery paved the
establishment of the galleon trade between our country and Spain via
Mexico, the commemoration is being applied by the Philippines as an
occasion to focus on the current global situation of seafaring to
advance the rights of our mariners and sailors.
We consider this meeting of Asia-Europe cultural
ministers on this Unesco Year of Languages as a significant event in
invigorating and realizing the action plan for cultural diversity.
We conclude with expressing our affirmation for the programs to be
agreed upon to realize our united vision of harnessing cultural
diverse treasures and expressions as a powerful force to promote
peace, social justice, defense of the environment, gender equality
and sustainable development among our people.
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