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Tuesday, May 13, 2008

 

ALBUM REVIEW

Classica!

 
This nine-track album opens with his rendition of Vangelis’ “Chariots of Fire.” In this composition, piano music combined with strings evokes images of the sea, with waves splashing on big rocks on the shore. However, the beating sound heard after every four counts are somewhat distracting to the overall mood of the composition.

One of Ortiz’s winning pieces, “A New Age Beginning,” comes next. With its grandiose opening, you would drop whatever you are doing and turn your attention to the music and hear Ortiz glide his fingers on the piano keys. Its upbeat tempo can make you dance, but watch out for the fluctuating pace and listen as the music gains momentum for even more mesmerizing and breathtaking parts of this original composition. The non-stop energy in “A New Age Beginning” can inspire you to go and reach for your dreams.

Also in the album is “Pilgrimage,” another of Ortiz’s winning pieces and original composition. As the title suggests, the first part of the music evokes images of people in a religious trance journeying on foot towards a shrine or a grotto, coupled with sounds of church bells and stringed instruments ringing in the background. But nearly a couple of minutes throughout the music, the tempo become upbeat, similar to “A New Age Beginning,” and Ortiz’s fingers effortlessly gliding on the piano keys are again heard. This five-minute track slows down at the end, which brings back the image of people on a pilgrimage.

New age pianist Jim Chappell’s influence on Ortiz’s music is evident in the fifth track titled “Amore”, which is similar to Chappell’s “Heartsong.” Purely piano music and Ortiz’s favorite track in the album, “Amore” is a moving piece that speaks of intimacy and passion. Accompanying it with an orchestra would have destroyed this tone.

The next track, “Maria,” is a piece that Ortiz composed for the Virgin Mary. Except for the entry of a percussion beat half way through the music, solemnity dominates the mood of the composition, which is even more reinforced by strings combined with piano music.

Soft and blissful “Moments” and “Paradiso” relaxes and makes you meditate. Like “Amore,” “Moments” is pure piano music—apt for the overall mood of the composition. On the other hand, “Paradiso” is characterized by a mellow combination of piano and orchestral music that would make you think you are in heaven.

The album ends with a bonus track titled “Forever.” Unlike the other music in the album, “Forever” is a song composed by Ortiz and sung by George Sison-Tagle of the all-male tenor group Angelos. The love song’s simple melody and lyrics would surely make you fall in love.
-- Kristelle Joy Festin and Katherine Mae M. Lopez

   

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