The kerfuffle over Nora Aunor’s place in the pantheon of Filipino artists (that pitted the culture types against President Aquino and the powers-that-be) was mostly lost on the ordinary Joes—people of my kind and station in life with no interest in culture whatsoever.
We are, sadly, the type described by H.L. Mencken in “The Sahara of the Bozart,” his indictment of the cultural vacuity of the American South.
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