Aljur Abrenica in a scene from Gil Portes’ ‘Hermano Puli’
Aljur Abrenica in a scene from Gil Portes’ ‘Hermano Puli’

Ricky Lee’s screenplay for Iadya Mo Kami is another heavy weight to contend, as well as my good friend and TV director-cum-painter Louie Ignacio’s foray into indie filmmaking, billed Laut. The latter is now doing the rounds of film fests abroad.

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